Nov 15

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Cialis 20mg, John Reuter, cialis 20mg, Principle, cialis 20mg, 20×24 Holdings LLC and head of 20×24 Studio, cialis 20mg, Master Photoshop Instructor, cialis 20mg, and Artist joins host Scott Sheppard for an in-depth look at his background and experience with Photoshop and hybrid workflows in digital art. Cialis 20mg, John’s journey in photography began in early college where one of his professors introduced him to the fine art aspect of solarization and reticulation including studio photography. Cialis 20mg, He then began working for Polaroid as a Research Photographer which allowed him to work closely with their development team and field test a variety of their film formats.

Cialis 20mg, While at Polaroid, cialis 20mg, John was able to work with their large format 20 x 24 camera, cialis 20mg, which literally captures Polaroid images 20" wide by 24" tall and soon learned to incorporate this medium into his art. Cialis 20mg, John eventually became the studio manager for Polaroid’s 20×24 Studio and became involved in digital imaging since it’s inception working with film scanners, cialis 20mg, Photoshop, cialis 20mg, film recorders thereby starting his digital hybrid workflow experience. Cialis 20mg, Digital image capture and scanning became an intregal part of his creative expression as did digital image transfers. Cialis 20mg, John even experimented with digital prints using the early Iris and Epson inkjet printers onto watercolor paper. Cialis 20mg,

Cialis 20mg, Since 1995, cialis 20mg, John, cialis 20mg, teaches art-focused Photoshop classes, cialis 20mg, featuring digital collages and Polaroid scanning techniques. Cialis 20mg, A series using Holga cameras and Polaroid, cialis 20mg, and created a podcast series last year, cialis 20mg, "Creative Photoshop Techniques with John Reuter" featuring tips and tutorials on using Photoshop for fine art. Cialis 20mg,

Cialis 20mg, After Polaroid stopped making their instant film, cialis 20mg, John formed 20×24 Holdings LLC and now manages the NYC based studio with Jennifer Trausch and continues to capture incredible 20×24 art images for talents that include William Wegman, cialis 20mg, David Leventhal, cialis 20mg, Mary Ellen Maher, cialis 20mg, and many others. Cialis 20mg, The camera and studio are available for rent and offer a great experience for any art enthusiast. Cialis 20mg,

Cialis 20mg, Find out more about John’s background, cialis 20mg, work, cialis 20mg, and training classes at http://www.johnreuter.com or find out more about the studio at: http://www.20×24studio.com/

Cialis 20mg, The McNamara Report on Inside Digital Photo with Michael J. Cialis 20mg, McNamara
This week’s topic: Are we giving up our right to take scenic photographs?

Cialis 20mg, The tragedy of 911 brings back haunting images of an unforgivable attack on innocent people, cialis 20mg, especially for those who lost loved ones and neighbors. Cialis 20mg, In its aftermath, cialis 20mg, we all agreed that security had to be tightened to prevent such an act from reoccurring. Cialis 20mg, But have we gone too far by adding laws that actually prevent nature and scenic photographers from taking pictures of lakes, cialis 20mg, bridges, cialis 20mg, dams, cialis 20mg, and other scenes that inspired previous generations of painters and photographers?

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Cialis 20mg, Listen in on the McNamara Report segment or get more photo insights and analysis on a variety of topics from Mike McNamara at: http://www.mcnamarareport.com

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Nov 01

Sales viagra, Listen NOW…

Sales viagra, Steve Anchell, sales viagra, Photographer, sales viagra, Trainer, sales viagra, and Author, sales viagra, Steve Anchell Workshops, sales viagra, joins host Scott Sheppard for a lively discussion on analog vs. Sales viagra, hybrid workflows and his latest book "The Darkroom Cookbook". Sales viagra, Steve and Scott discuss how to get the best results using both worlds by capturing the original image on film and then scanning the negatives into a digital environment. Sales viagra, Steve explains details on his workflow which include tools such as the Epson Perfection V750-M Pro with a fluid mount accessory for wet mount film scanning to help reduce scratches and adjust grain. Sales viagra, Once the negatives are prepared and scanned, sales viagra, Steve prepares them for output at 13 x 19 on his Epson 2400 for pleasing results very close to what you might see on standard film processed prints. Sales viagra,

Sales viagra, Steve shares some tips about digital color spaces and gamut in a hybrid workflow. Sales viagra, Although he is considered a master in a darkroom, sales viagra, Steve discusses his experiences in working with scanned images and explains how a hybrid workflow can gain a larger range from your images seeing greater details in darker areas and shadows than working directly in film. Sales viagra, He also advises rather than take a hard position that one method is "better" than another method, sales viagra, part of the beauty of photography and imaging is the range of options available and treating each method as part of the art involved in great printmaking. Sales viagra, Steve prefers to shoot digital for his color work but again accepts each method for their inherent benefits and capabilities. Sales viagra,

Sales viagra, Since 1979, sales viagra, Steve has run a popular series of location based workshops including teaching courses at the Santa Fe Photographic Workshops, sales viagra, and the longest running workshop on figure photography in the world, sales viagra, The Nude at Big Sur. Sales viagra, To find out more about his work and latest workshops visit: http://www.anchellworkshops.com/

Sales viagra, The McNamara Report on Inside Digital Photo with Michael J. Sales viagra, McNamara
This week’s topic: The paint never dries in photoshop and the ink never dries on the web.

Sales viagra, In today’s economy keeping up with the latest versions of every software program you own can be a difficult decision, sales viagra, especially when some image retouching programs cost hundreds of dollars to upgrade and there are lower cost alternatives on the market. Sales viagra, In this segment, sales viagra, Mike tackles the tough issue of “to upgrade or not to upgrade?”, sales viagra, sharing his own experience testing and using every version of Photoshop since it was a Beta version in 1989, sales viagra, and having witnessed every conceivable computer crash caused by new operating system software, sales viagra, corrupt printer drivers, sales viagra, and not-ready-for-prime-time releases. Sales viagra, Bottom line? For best results, sales viagra, upgrading software often requires updating hardware, sales viagra, on both Macs and PCs.

In this segment, sales viagra, learn about options for getting what you need without paying for features you don’t. Sales viagra, For example, sales viagra, Mike suggests trying to master Adobe Photoshop Elements 7 on your PC before emptying out your back account for the latest Photoshop CS4 version, sales viagra, or opting for the Adobe Photoshop Elements bundle that includes Premiere Elements 7.0 for movie editing.

Sales viagra, Listen in on the McNamara Report segment or get more insights and analysis from Mike McNamara at: http://www.mcnamarareport.com

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